By A.g. De Mesa
In terms of the publication of photobooks in the Philippines, 2014 was a better year, with Wawi Navarroza’s Hunt Gather and Terraria and Jake Verzosa’s The Last Women of Kalinga being published. In 2015, only Dago Santos’ Lighght caught my attention. It is a simple book compiling the little moments when light and space converge, triggering a photographic response from Dago.
However, in the same year, we also witnessed the rise of photo zines, helping to raise awareness in terms of showcasing work in the book format. This is perhaps the result of Fotosemana Festival 2015, a micro-festival in Manila focusing on photobooks. The festival showcased Philippine photobooks and zines from the past few years. Selections from Self Publish, Be Happy, Asia-Pacific Photobook Archive, and Indie Photobook Library were also displayed during the event.
The DIY effort of Philippine photographers helped to push forward the evolution of photo zines in the country. Notable examples in 2015 include Czar Kristoff’s Fugue, Jhemuel Salvador’s White Pictures, Erin Nøir’s Mono series, and Brian Sergio’s Bomba.
Fugue was released during Fotosemana and co-published by Thousandfold. As this is not made using offset printing, perhaps a discussion on the differences between a zine and a book is needed soon. The zine’s images, shot mainly in black-and-white, concern the small details and objects that are often disregarded. Only the orange wrap, the red centerfold and the blue cover bring color to the book. This allows the readers to concentrate on the ways in which the photographs interact with one another.
Jhemuel Salvador’s White Pictures compels the readers to question whether the objects in his pictures are actually white, made to be white, or appear as white through technical manipulation.
Mono by Erin Nøir takes the approach of the diaristic Japanese photo zines of the 1990s, much in the same vein as Hiromix and others, complete with datestamp and all. The zine even flips from right to left.
Brian Sergio’s Bomba is full of photos of naked women in suggestive poses. Crucially, its design is inspired by the Philippine tabloids in terms of size, paper and the absence of binding. These tabloids usually headline scantily clad women. Sergio’s zine ramps it up by a notch. Your mileage may vary with the images but the design is very interesting.
In 2016, I believe there will be more photo zines published in the Philippines. More importantly, there will be more people working on traditional photo books, targeting release in the next few years. As for content, they may focus on the political situation in the Philippines with the upcoming presidential elections. But it is hard to say.
Generally, photo zines work best when the approach is personal. If the momentum persists, practices in book making, designing, and the overall production of photobooks will gain further traction, expanding the options for photographers in terms of showcasing their work.
A.g. De Mesa is a Filipino photographer and writer. / http://readingphotographs.asia/